In a year saturated with reboots, sequels, and adaptations (44 of them hit cinemas this year, according to Business Insider) it’s no surprise that Sony wanted a chance to cash …
Reviews
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It was with a tremendous surprise to me that, when researching Love Actually, I found that it came out in 2003 to mixed reviews. The now-lauded staple of every true …
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With Darkest Hour, director Joe Wright thrillingly illustrates the political side of Christopher Nolan’s Dunkirk by placing a momentous piece of history into the hands of Gary Oldman. Wright – …
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Hugo is a bit of an oddball in Martin Scorsese’s canon of work. Audiences are most likely to associate Scorsese with dark brooding works on human fragility from Mean Streets …
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Earlier this year, amid the clutter and noise of the awards season, one especially beautiful film was lost in the tidal wave of contenders. It achieved only one nomination at …
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Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a question that The Disaster Artist sets out to answer. “Based on” the making of The Room …
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As someone who is a huge fan of the first Paddington film, I had high hopes for the second, and it did not disappoint. In Paddington 2, we follow the …
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It’s a warm summer’s day in a beer garden, two men, who until now were at odds, toast to the future and share sweet bonding moment. A boy starts singing …
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Justice League is not, strictly speaking, a bad film. It’s not awful. It’s not even terrible. Unfortunately, it’s not particularly good either – and it certainly doesn’t do justice to …
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The Australians are rather good at horror films, aren’t they? Whilst most would cite Jennifer Kent’s The Babadook as the prime example of a chiller from Down Under, there’s more than enough …
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In a year saturated with reboots, sequels, and adaptations (44 of them hit cinemas this year, according to Business Insider) it’s no surprise that Sony wanted a chance to cash …
-
It was with a tremendous surprise to me that, when researching Love Actually, I found that it came out in 2003 to mixed reviews. The now-lauded staple of every true …
-
With Darkest Hour, director Joe Wright thrillingly illustrates the political side of Christopher Nolan’s Dunkirk by placing a momentous piece of history into the hands of Gary Oldman. Wright – …
-
Hugo is a bit of an oddball in Martin Scorsese’s canon of work. Audiences are most likely to associate Scorsese with dark brooding works on human fragility from Mean Streets …
-
Earlier this year, amid the clutter and noise of the awards season, one especially beautiful film was lost in the tidal wave of contenders. It achieved only one nomination at …
-
Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a question that The Disaster Artist sets out to answer. “Based on” the making of The Room …
-
As someone who is a huge fan of the first Paddington film, I had high hopes for the second, and it did not disappoint. In Paddington 2, we follow the …
-
It’s a warm summer’s day in a beer garden, two men, who until now were at odds, toast to the future and share sweet bonding moment. A boy starts singing …
-
Justice League is not, strictly speaking, a bad film. It’s not awful. It’s not even terrible. Unfortunately, it’s not particularly good either – and it certainly doesn’t do justice to …
-
The Australians are rather good at horror films, aren’t they? Whilst most would cite Jennifer Kent’s The Babadook as the prime example of a chiller from Down Under, there’s more than enough …
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Exeposé is the University of Exeter’s independent newspaper. Established in 1987.
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