adaptation

Isabel Bratt discusses the latest Netflix adaptation of ‘Avatar: The Last Airbender.’

Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.

Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.

Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.

Netflix’s adaptation of the Addams Family franchise is an entertaining, nostalgia-filled triumph, finds Lisette Reed

Animals are shapeshifting to survive rising temperatures George Edwards explains how some animals are adapting to…

The Great Gatsby is out of copyright, and Olivia Garrett anticipates the book’s new life in the public domain.

Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.

This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.

Sofia Galucci-Giles dives into the joys of new adapted series ‘Normal People’.