Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
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Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
Following the US presidential debate that took place at the end of September, in a film-style review Rhys Wallis evaluates both candidates’ performances and what it suggests for the future of the United States.
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
Henry Jordan continues his coverage of the London Film Festival with a look at the classically-inflected love mystery, Undine
Bridie Adams finds the latest in the To All the Boys series to be a worthy continuation of the story but unable to live up to its predecessor
I began watching Dead to Me on Netflix on Saturday night and despite the fact I had an exam on the Tuesday afternoon, I had finished it by Sunday morning. The balance …
Any film starring Maya Rudolph (Bridesmaids, Grown Ups, The Good Place), already sets a precedent that it will be exactly what you expect it to be. Mix in a big …
Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
Following the US presidential debate that took place at the end of September, in a film-style review Rhys Wallis evaluates both candidates’ performances and what it suggests for the future of the United States.
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
Henry Jordan continues his coverage of the London Film Festival with a look at the classically-inflected love mystery, Undine
Bridie Adams finds the latest in the To All the Boys series to be a worthy continuation of the story but unable to live up to its predecessor
I began watching Dead to Me on Netflix on Saturday night and despite the fact I had an exam on the Tuesday afternoon, I had finished it by Sunday morning. The balance …
Any film starring Maya Rudolph (Bridesmaids, Grown Ups, The Good Place), already sets a precedent that it will be exactly what you expect it to be. Mix in a big …
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