Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
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Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
Admiring the film’s influencer culture commentary, Lisette Reed commends Shepherd’s direction whilst praising Mia Isaac’s standout performance
With stellar performances and an informative narrative, Judas and the Black Messiah is praised by Harvey Isitt
Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
Following the US presidential debate that took place at the end of September, in a film-style review Rhys Wallis evaluates both candidates’ performances and what it suggests for the future of the United States.
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Oliver Lamb, Print News Editor, gives his take on Ridley Scott’s Napoleon, reminding us that lazy filmmaking cannot be excused by an infamous subject.
Admiring the film’s influencer culture commentary, Lisette Reed commends Shepherd’s direction whilst praising Mia Isaac’s standout performance
With stellar performances and an informative narrative, Judas and the Black Messiah is praised by Harvey Isitt
Archie Lockyer reviews Aaron Sorkin’s latest film The Trial Of The Chicago Seven.
Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
Maggie John reviews the remake of Rebecca, a film originally adapted by Hitchcock from Daphne Du Maurier’s novel, Rebecca.
Following the US presidential debate that took place at the end of September, in a film-style review Rhys Wallis evaluates both candidates’ performances and what it suggests for the future of the United States.
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
This week, we’re putting the spotlight on films that deserve more recognition. Matthew Boden tells us all about Motherless Brooklyn and why it really should be appreciated more.
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