An ensemble of Screen writers pitch in with their favourite films of the 2010s.
Paul Thomas Anderson
Evie Hughes argues that the short film allows for more creatively liberating projects from filmmakers.
When you use words like “elegant”, “exquisite”, and “sumptuous” to describe something, there comes an unavoidable sense of pretension that clouds all else. When you use them to describe Phantom Thread, the new film from writer-director Paul Thomas Anderson, it feels almost tacky. Here’s a film about two white people – a difficult man and […]