Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
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Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Review: The Tragedy of Macbeth Amy Colwell marvels at the visual spectacle of Joel Coen’s modernist, stark take on the classic Shakespearean tale of paranoia and betrayal. Joel Coen’s melancholic, …
Contributor Sofia Gallucci-Giles discusses the $10 million sale of Shakespeare’s first folio and whether such literary gold should be in the hands of the public domain
Freda Worrell explains why Gnomeo and Juliet is the best adaptation of ‘Romeo & Juliet’.
Online Comment editor, Gaia Neiman, reviews Exeter University’s Shakespeare Company’s ‘King Lear’ performed at Exeter Cathedral.
Jim Norman considers the value of moving stories from stage to screen.
Online Arts and Lit Editor, Ariane Joudrey, gives Shakespeare Society’s ‘Hamlet’ a 5-star review.
The hilarious and surprisingly talented cast of Shakesoc succeeded in bringing to life all the celebrated aspects of Shakespeare’s ‘Twelfth Night’, adding humorous details to make it pertinent to uni …
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Review: The Tragedy of Macbeth Amy Colwell marvels at the visual spectacle of Joel Coen’s modernist, stark take on the classic Shakespearean tale of paranoia and betrayal. Joel Coen’s melancholic, …
Contributor Sofia Gallucci-Giles discusses the $10 million sale of Shakespeare’s first folio and whether such literary gold should be in the hands of the public domain
Freda Worrell explains why Gnomeo and Juliet is the best adaptation of ‘Romeo & Juliet’.
Online Comment editor, Gaia Neiman, reviews Exeter University’s Shakespeare Company’s ‘King Lear’ performed at Exeter Cathedral.
Jim Norman considers the value of moving stories from stage to screen.
Online Arts and Lit Editor, Ariane Joudrey, gives Shakespeare Society’s ‘Hamlet’ a 5-star review.
The hilarious and surprisingly talented cast of Shakesoc succeeded in bringing to life all the celebrated aspects of Shakespeare’s ‘Twelfth Night’, adding humorous details to make it pertinent to uni …
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