Online Arts and Lit Editor, Gracie Moore discusses the use of music in the romantic comedy genre in light of the new film, “Anyone But You”.
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soundtrack
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Katie Fox reviews the soundtrack of Drive.
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Print Screen Editor Francesca Sylph reviews the soundtrack of Once.
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Print Screen Editor Francesca Sylph discusses her favourite film soundtrack.
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William Thornton reviews his favourite soundtrack, The Umbrellas of Cherbourg.
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Rhian Hutchings shares the music that reminds her of life outside lockdown.
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Anne Chafer reviews the pop superstar collaboration ‘Don’t Call Me Angel’
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One of the most interesting developments by way of film score composers in recent years, has…
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This is, notably, a proper album, with real effort and thought put into it. The production…
-
It’s only just been over a year ago since Daughter once again captured and shattered our…
-
Online Arts and Lit Editor, Gracie Moore discusses the use of music in the romantic comedy genre in light of the new film, “Anyone But You”.
-
Katie Fox reviews the soundtrack of Drive.
-
Print Screen Editor Francesca Sylph reviews the soundtrack of Once.
-
Print Screen Editor Francesca Sylph discusses her favourite film soundtrack.
-
William Thornton reviews his favourite soundtrack, The Umbrellas of Cherbourg.
-
Rhian Hutchings shares the music that reminds her of life outside lockdown.
-
Anne Chafer reviews the pop superstar collaboration ‘Don’t Call Me Angel’
-
One of the most interesting developments by way of film score composers in recent years, has…
-
This is, notably, a proper album, with real effort and thought put into it. The production…
-
It’s only just been over a year ago since Daughter once again captured and shattered our…
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