Courtney Priday explores the delights of reading scripts during nationwide theatre shutdowns.
Menu
Courtney Priday explores the delights of reading scripts during nationwide theatre shutdowns.
Online Comment editor, Gaia Neiman, reviews Exeter University’s Shakespeare Company’s ‘King Lear’ performed at Exeter Cathedral.
Freda Worrell reviews Northcott Theatre’s latest pantomime, Beauty and the Beast.
Anna Romanovska, Print Lifestyle Editor, reviews Spotlights Show Choir’s newest show, ‘Expressing Yourself’.
Scarlett Parr-Reid, Science Print Editor, interviews Medical Imaging lecturer Julie Mills, the organiser of the latest A Pint Sized Conversation performance at Exeter, as well as Dylan Frankland, director and actor and Ferdinand Boucher, medicine student at Exeter who attended the performance.
Jim Norman considers the value of moving stories from stage to screen.
Katie Worrell reviews ‘Black Men Walking”s ‘Poetry, Passion and Politics’ at Northcott Theatre.
Olivia Garrett interviews theatre-maker, David Glass, about his upcoming production of Dickens’ ‘Bleak House’ at the Northcott Theatre.
Lauren Haughey reviews Birmingham Repertory Theatre’s production of The Lovely Bones at Exeter’s Northcott Theatre.
Sofia Gallucci-Giles reveals what was hot, what was not, and all things at the Fringe this year.
Courtney Priday explores the delights of reading scripts during nationwide theatre shutdowns.
Online Comment editor, Gaia Neiman, reviews Exeter University’s Shakespeare Company’s ‘King Lear’ performed at Exeter Cathedral.
Freda Worrell reviews Northcott Theatre’s latest pantomime, Beauty and the Beast.
Anna Romanovska, Print Lifestyle Editor, reviews Spotlights Show Choir’s newest show, ‘Expressing Yourself’.
Scarlett Parr-Reid, Science Print Editor, interviews Medical Imaging lecturer Julie Mills, the organiser of the latest A Pint Sized Conversation performance at Exeter, as well as Dylan Frankland, director and actor and Ferdinand Boucher, medicine student at Exeter who attended the performance.
Jim Norman considers the value of moving stories from stage to screen.
Katie Worrell reviews ‘Black Men Walking”s ‘Poetry, Passion and Politics’ at Northcott Theatre.
Olivia Garrett interviews theatre-maker, David Glass, about his upcoming production of Dickens’ ‘Bleak House’ at the Northcott Theatre.
Lauren Haughey reviews Birmingham Repertory Theatre’s production of The Lovely Bones at Exeter’s Northcott Theatre.
Sofia Gallucci-Giles reveals what was hot, what was not, and all things at the Fringe this year.
Subscribe to our newsletter for the latest news & updates.
Sign up to our newsletter
