Online Music Editor, Maya Fernandes, discusses her thoughts on a recent viewing of Cabaret on the West End
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Online Music Editor, Maya Fernandes, discusses her thoughts on a recent viewing of Cabaret on the West End
Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.
Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
Isabella Maunder discusses her experience of and thoughts regarding Edinburgh Festival Fringe this past August.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Manon Martini, Arts + Lit Editor, reviews the University of Exeter Theatre Company’s rendition of Frankenstein at the Northcott Theatre.
Gwenllian Page-Gibby reviews Theatre with Teeth’s latest production, The Last Words.
Isabel Caine explores the history behind the pantomime, one of Britain’s more unique Christmas traditions.
Online Music Editor, Maya Fernandes, discusses her thoughts on a recent viewing of Cabaret on the West End
Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Online Arts & Lit Editor, Violet Berney, reviews the stage adaptation of Neil Gaiman’s novel, highlighting the balance of whimsy and fear.
Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
Isabella Maunder discusses her experience of and thoughts regarding Edinburgh Festival Fringe this past August.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Manon Martini, Arts + Lit Editor, reviews the University of Exeter Theatre Company’s rendition of Frankenstein at the Northcott Theatre.
Gwenllian Page-Gibby reviews Theatre with Teeth’s latest production, The Last Words.
Isabel Caine explores the history behind the pantomime, one of Britain’s more unique Christmas traditions.
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