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James Garbett

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An interview with Chris Weitz, screenwriter of Rogue One and Cinderella

Chris Weitz is a name you may not have heard of, but it's more than likely you've watched one of the profusion of films...

“It just needs to be real people making real music…” An...

“It’s all about the feelings you get” James Morrison muses around the halfway mark of our interview. “It’s about how a song can make...

An Interview with Desi Valentine

It’s 10pm on a drizzly Friday in the heart of Devon, but for Desi Valentine “It’s another beautiful day in LA”. So much so,...
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Creed II – Review

Creed II poses a question. To what extent do audiences enjoy the classic tried and tested formulas of film? Is it an “if it...
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An interview with Harbor & Home’s Kaleb Williams

As the world of digital music continues to grow exponentially bigger, with songs by global megastars now receiving billions of streams, it’s curious to...
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An Interview with Juel Taylor, Screenwriter of Creed II

It is, admittedly, quite surreal to be grumbling Sylvester Stallone impersonations halfway through my interview with Juel Taylor, the screenwriter of the hugely anticipated...

Flagging First Man: Cinema’s loose relationship with history

It doesn’t feel like a hyperbole to state that the controversy regarding First Man’s American flag moment has caused something of a media circus....

Preview: Neon @ Roborough Studios

An early disclaimer to this preview is that I believe Neon is best experienced with as little knowledge of the play’s plot and narrative...