Catherine Wakefield covers the way black talent has come to the fore and the importance of amplifying black voices
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Catherine Wakefield covers the way black talent has come to the fore and the importance of amplifying black voices
Elizabeth Barber discusses the recent apology from Dutch PM, Mark Rutte, regarding the Netherland’s role in the slave trade.
Harry Craig, Print Music Editor, speaks to Matt Bishop about his journey as an LGBTQ+ figure in the F1 paddock.
Callum Martin considers the legacy of 1999 for the February Turkish-Syrian earthquake and the complicated national and international politics on both sides of the border for disaster relief and reconstruction.
Callum Martin considers the legacy of 1999 for the February Turkish-Syrian earthquake and the complicated national and international politics on both sides of the border for disaster relief and reconstruction.
Clémence Smith and Ana Anajuba, Editors-in-Chief, spoke to Bookmark Reading Charity, who help improve children’s literacy rates and are actively looking for new volunteers.
The University of Exeter is running a new pilot programme to train university students to tutor disadvantaged pupils who have fallen behind due to COVID.
A new Guild-affiliated Israeli and Zionist Society has received a negative response from local Exeter Palestinian groups.
Bridie Adams speaks about the potential dangers of social media activism and offers advice on how to avoid being labelled a superficial ally
Online Editor, Maddie Baker, speaks to Maia Thomas, a Politics student at Exeter and the co-organiser of the Black Lives Matter Protest in Exeter – discussing the protest itself and her experiences.
Print Screen Editor Francesca Sylph reviews Michaela Coel’s harrowing and hilarious sexual consent drama I May Destroy You.
Niamh Walsh discusses Hollywood’s problematic ‘white saviour narrative’ which upholds white supremacy and colonialist ideals.
William Thorton reviews the latest record from frenetic hip-hop duo Run the Jewels
Francesca Sylph discusses the unanswered absence of Angela Davis’ sexuality in the current racial movement and the key role of intersectionality.
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