Arts & Lit editor Kayleigh Swart reviews Ali Hazelwood’s sporty romance, Deep End.
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Arts & Lit
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Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
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Rosie Batsford, Print News Editor, takes a look at this year’s impressive Booker Prize shortlist.
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Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
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Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
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Online Arts and Lit editor, Manon Martini, interviews the cast of Mark Leipacher’s Macbeth – Partners of Greatness.
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Agata Koralewska analyses the emergence of ‘bookstagram’ and explores the pros and cons of the online reading community.
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Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Latest Posts
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Local artist, Molly Rooke talks to Exeposé about her postponed exhibition at Exeter Phoenix and how the environment is at the top of her artistic agenda
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Ellie Down explores her year in books and reviews which books were most impactful
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Eirwen Abberley Watton reviews the new Netflix series, Bridgerton, discussing the show’s strong-willed female characters, as well as problematic elements that the fanbase may have overlooked.
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Olivia Garrett explores the mouth-watering world of fictional food.
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Austin Taylor discusses Banned Books Week and the issues of literary censorship
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By exploring the relationship between diary writing and women, Rhian Hutchings argues that the diary is a cathartic medium for sharing ideas and feelings
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