Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Writers are coming out of their shells and making the most of what social media can offer. Gwenllian Page-Gibby discusses this phenomenon, and how it might influence our taste in books.
YA keeps its finger on the pulse of teenage trends. However, what might have appealed to us in our youth can seem cringeworthy now. Nonetheless, Tabitha Hannam revisits some of her favourite YA novels despite their questionable tropes.
Review: Black Is The Color Of My Voice Online Music Editor, Tom Bosher, reviews Apphia Campbell’s…
Joshua Smith unravels the mystery behind Filippo Bernardini’s book thievery but, like much of the publishing industry, continues to ponder his motive.
Rhian Hutchings tackles the topic of diaries during lockdown, and how they can help us better understand ourselves in these uncertain times.
Elizabeth Brown discusses the BBC’s watery new adaptation of this beloved classic.
Ariane Joudrey discusses the implications that streaming theatrical productions may have on the experience of the viewer and how this may influence the way in which people respond the the return of live theatre
Print Music Editor, Bridie Adams, assesses whether it was right to remove the controversial Colston Statue in Bristol
Harry Edmundson discusses the relationship between social media influences and literature and the online trend of reading.
Lucy Aylmer interviews Artistic Director of Exeter Northcott Theatre, Daniel Buckroyd, about the rise of virtual theatre, furloughing and diversifying the theatre
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