Reviews

Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.

Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.

Isabella Maunder discusses her experience of and thoughts regarding Edinburgh Festival Fringe this past August.

Rosie Batsford discusses her experience of the infamous Vincent Van Gogh Exhibition

Amber Platel investigates the subtle power of Claire Keegan’s Foster and why it makes for a perfect summer read.

Amberly Wright shares her week of Parisian summer and the artwork that framed it.

Lucy Facer discusses the uncertainty of young adulthood as navigated by the protagonist of Elif Batuman’s The Idiot.

Emily Rizzo introduces us to the curious wonder of In Watermelon Sugar and outlines why it’s a perfect fit for the transition from summer to autumn.

Gracie Moore, Arts and Lit Editor, gives her review on Exeter Theatre Company’s latest show, the performance of David MacGregor’s ‘Vino Veritas’

Rosie Batsford discusses censorship and feminist ideology in relation to Henrik Ibsen’s 1879 play A Doll’s House.