Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
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Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
Manon Martini, Arts + Lit Editor, reviews the University of Exeter Theatre Company’s rendition of Frankenstein at the Northcott Theatre.
Ella Minty, Print Arts + Lit Editor, reviews Le Navet Bete’s latest production, Robin Hood.
Lauren Walsh reviews Shotgun Theatre’s latest production, The Last Five Years.
Gwenllian Page-Gibby reviews Theatre with Teeth’s latest production, The Last Words.
Lucy Evans, Online Features Editor, reviews the new feminist musical Fantastically Great Women Who Changed the World
Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
Manon Martini, Arts + Lit Editor, reviews the University of Exeter Theatre Company’s rendition of Frankenstein at the Northcott Theatre.
Ella Minty, Print Arts + Lit Editor, reviews Le Navet Bete’s latest production, Robin Hood.
Lauren Walsh reviews Shotgun Theatre’s latest production, The Last Five Years.
Gwenllian Page-Gibby reviews Theatre with Teeth’s latest production, The Last Words.
Lucy Evans, Online Features Editor, reviews the new feminist musical Fantastically Great Women Who Changed the World
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