Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Elin Gray delves into the drama of Keeping Up With the Kardashians and its appeal as the ultimate student escape.
Gracie Moore, Editor-in-Chief, speaks to renowned film critic, Mark Kermode, on breaking onto the scene of screen journalism
Bella Maclusky reviews ‘Rocks’, a powerful portrayal of resilience and friendship in London’s inner city.
Bronwyn Payne explores the stunning visuals and emotional depth of The Wild Robot.
Owen Peak uncovers the visual flair of Pedro Almodóvar’s films
Pollyanna Roberts, Print Screen Editor, discusses the haunting impact of Horror classic ‘The Texas Chainsaw Massacre’ on cinema today.
April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
Magdalena Kanecka discusses the beautiful directing of Oscar winning director Bong Joon-ho.
Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Immortalisation of the female body, is it beautiful or a gross infatuation? Michel Rowe considers nudity in cinema, comparing the media of film, to classic sculpture.
Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
Antonella Perna reviews Netflix’s Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
Zandie Howells discusses the common trope of the isolated place in horror films, and how the rules of horror have been bent and shaped by different settings.
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