Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
April Frain reviews the new legacy sequel to the 1988 cult horror classic, ‘Beetlejuice Beetlejuice’.
Owen Peak Uncovers the Power of Animation: Breaking Age Stereotypes in Film.
Joseph James dissects the dark layers of Joker: Folie à Deux.
Online Music Editor, Zandie Howells, reviews the new thriller ‘Speak No Evil’.
Uncover the bittersweet tale of brotherhood in Archie Evans’ review of “Rams” (2015), an Icelandic gem.
Print Editor-in-Chief, Gracie Moore, shares how the 2024 film, ‘Girls Will Be Girls’ discusses the notion of ‘coming of age’.
Emma Alfred discusses the benefits of sharing beloved animated films as a student.
Daniel Eke discusses the 2010 Doctor Who Christmas Special, and why this makes the perfect festive watch.
Bronwyn Payne discusses Petite Maman in relation to Sciamma’s Portrait of a Lady on Fire.
Lachlan Evans discusses Japanese film royalty Yasujiro Ozu and his 1953 film Tokyo Story, noting his expert shot composition and subtle storyline.
Charlotte Jordan explores the Friends to Lovers trope in films and TV, noting not only the heartwarming aspect, but the potential for great drama too.
Maximus Woodley praises the self-referential elements of Disney’s Wish as a 100th Anniversary film, but notes the otherwise disappointing lack of intriguing content.
Betsy Heasman has much praise for Emerald Fennell’s disturbing comedy thriller, especially praising the instinctive but intriguing revulsion prompted by the film’s content.
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