Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Print Editor-in-Chief, Gracie Moore, shares how the 2024 film, ‘Girls Will Be Girls’ discusses the notion of ‘coming of age’.
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Emma Alfred discusses the benefits of sharing beloved animated films as a student.
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Online Screen Editor, Dumebi Jibunoh, discusses how to create the perfect movie night with flatmates.
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Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
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Immortalisation of the female body, is it beautiful or a gross infatuation? Michel Rowe considers nudity in cinema, comparing the media of film, to classic sculpture.
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Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
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Antonella Perna reviews Netflix’s Griselda, considering its compelling performance and feminist addition to the ongoing trend of drug cartel dramas.
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Gracie Moore, Online Arts and Lit Editor, offers much praise for season 4 of Sex Education, especially noting the way the series ties together plotlines from previous seasons.
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Ellie Turner explores the impact of the Hollywood labour disputes on regular festival scheduling, and how smaller indie films may now be getting their chance to shine.
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Lachlan Evans discusses A24’s Past Lives, particularly noting Celine Song’s directing.
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Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
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Katie Matthews discusses Prime Video’s queer romcom, noting the beautiful romanticism, and the way the film tackles damaging stereotypes.
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Isabella Richardson notes some of the strengths and weaknesses of the latest Agatha Christie adaptation, ultimately finding it passively enjoyable, if lacking substance.
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