Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Brooke Taylor discusses the ‘nuanced performances’ that subtly make ‘Anatomy of the Fall’ a watch worthy of your time.
Isabel Bratt discusses the latest Netflix adaptation of ‘Avatar: The Last Airbender.’
Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Mitchel Rowe discusses the emerging trope of the ‘bleak girl’, addressing how feminine people want to see real reflections of gritty, complex female characters on the screen.
Alexander Howells takes us through the most (and least) anticipated films of 2024.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Bronwyn Payne discusses Netflix’s Good Grief, praising the cinematography as well as noting the cliched displays of wealth.
Jake Avery, Print Music Editor, discusses the choice to welcome darker themes in the latest instalment of The Guardians of the Galaxy, with high praise for director James Gunn.
Henry Parker, Print Features Editor, has nothing but praise for the fourth and final season of the hugely popular Succession.
Lisette Reed, Print Comment Editor, tracks the evolution of the beloved Coming-of-Age genre.
Matthew Bowden finds Wes Anderson’s Asteroid City delightful, particularly noting the all-star cast and trademark visual style.
Matthew Bowden breaks down everything you may have missed from the 2023 Cannes Film Festival.
Pollyanna Roberts discusses the Prince Charming trope, from Snow White to Shrek, and how harmful it can be to young people.
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