Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Kayleigh Swart, Print Screen Editor, praises the new Percy Jackson and the Olympians show, noting the differences between this, the films, and the books.
Immortalisation of the female body, is it beautiful or a gross infatuation? Michel Rowe considers nudity in cinema, comparing the media of film, to classic sculpture.
Eloise Grainger, Print Sport Editor, details the second series of The Traitors UK, noting the ever-growing audience and complex dynamics inside the castle.
Daniel Eke discusses the 2010 Doctor Who Christmas Special, and why this makes the perfect festive watch.
Bronwyn Payne discusses Petite Maman in relation to Sciamma’s Portrait of a Lady on Fire.
Lachlan Evans discusses Japanese film royalty Yasujiro Ozu and his 1953 film Tokyo Story, noting his expert shot composition and subtle storyline.
Charlotte Jordan explores the Friends to Lovers trope in films and TV, noting not only the heartwarming aspect, but the potential for great drama too.
Toby Davies has nothing but praise for Andor, the new Rogue One prequel series from Disney+
Dexter Woolley gives his take on the ever-relevant issue of art versus artist, and whether we can or should separate the two
Emily Rizzo looks at the work of supremely talented yet often and unfairly neglected cinematographer Bruno Delbonnel
With incredible cinematography and a performance of the ages from Cate Blanchett, writer-director Todd Field has struck gold with his latest feature, writes Screen Editor Harvey Isitt.
Catherine Stone praises Coogler’s respectful continuation of the Black Panther story whilst acknowledging its struggles to live up to its predecessor
Jessica Cadogan finds that despite being an aesthetic treat, Empire of Light ultimately lacks substance and tries to tackling too many hard-hitting issues
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