Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Mitchel Rowe discusses the emerging trope of the ‘bleak girl’, addressing how feminine people want to see real reflections of gritty, complex female characters on the screen.
Alexander Howells takes us through the most (and least) anticipated films of 2024.
Gracie Moore reviews the thriller film ‘La Sociedad de la Nieve,’ noting it’s realism and uncanny similarity to the 1972 crash.
Kayleigh Swart discusses the highly anticipated Eras Tour Movie, praising the production of both the show and the film, as well as Swift’s own performance.
Kerry Myers discusses different representations of morally grey characters, and their reception in popular culture.
Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
Bronwyn Payne discusses the first few episodes of the second season of Loki, a show which, among controversy and overcomplexity, finds light in the addition of Ke Huy Quan.
While enjoying aspects of Amazon’s take on Middle Earth, Jess Cadogan finds that it doesn’t fully satisfy the most hardcore of Tolkien fans
With his first appearances being on television, Pollyanna Roberts tours us through Austin Butler’s roles from Disney to his recent collaborations with Quentin Tarantino and Baz Luhrman
With specific praise for, In the Mood for Love, Austin Taylor discusses three of his favourite films by Hong Kong director Wong Kar-Wai
Jess Cadogan exposes the rampant tonal inconsistencies of Marvel’s summer blockbuster Thor: Love and Thunder
Admiring the film’s influencer culture commentary, Lisette Reed commends Shepherd’s direction whilst praising Mia Isaac’s standout performance
With the finale confirming next season as its last, Catherine Stone offers broad season sweep, praising and critiquing its Sparrow Academy expansion
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