Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Katie Matthews explores the trope of the ‘bitch’, referencing icons like Blair Waldorf and Miranda Priestly.
For Black History Month, Lachlan Evans discusses the incredible Barry Jenkins – a filmmaker to be celebrated all year round.
Dumebi Jibunoh explores Bong Joon-Ho’s incredible 2003 crime thriller, especially noting the character depth, and the expert storytelling.
Lauren Walsh gives an excellent, whistle-stop tour of Studio Ghibli’s films and history. A must-read.
Emily Roughton gives her take on the long-awaited Knives Out sequel she believes outwits its predecessor
Toby Davies has nothing but praise for Andor, the new Rogue One prequel series from Disney+
Dexter Woolley gives his take on the ever-relevant issue of art versus artist, and whether we can or should separate the two
Caitlin Barr reviews Netflix’s latest release Malcolm And Marie, starring renowned actress Zendaya.
Olivia Garrett reports on the latest Hollywood creator to be cancelled, Joss Whedon.
Jack Walton comments on the resurfacing of monochrome colours in film.
With stellar performances and an informative narrative, Judas and the Black Messiah is praised by Harvey Isitt
Amplify’s Online Editor, Rupali Naik, interviews the founders of The Creative Switch on their recent growth, work, and experiences.
Page’s announcement nonetheless offers a glimmer of hope, particularly for the many trans people who feel invisible in mainstream culture
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