Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Exeter Northcott
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Print Arts & Lit editor Judy Dodd reviews the Exeter Northcott’s production of ‘The Commotion Time.’
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Lauren Walsh, Arts and Lit editor, discusses Rey Camoy, corporeal mime, the differences between British and Japanese audiences and more with Tania Coke
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Online Arts and Lit editor, Manon Martini, interviews the cast of Mark Leipacher’s Macbeth – Partners of Greatness.
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Clemence Smith writes a review of the Bournemouth Symphony Orchestra.
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When: 17th – 20th January 2018 at 19:30 Where: Exeter Northcott Theatre Tickets: £15 (concession £12)…
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Ham and jam and Spam(alot): a grim combination but a lovingly revived musical, Spamalot brings you the…
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Haunting backlights, dark silhouettes and convicting voiceovers – the implications of deeper truths and knowledge are…
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
-
Print Arts & Lit editor Judy Dodd reviews the Exeter Northcott’s production of ‘The Commotion Time.’
-
Lauren Walsh, Arts and Lit editor, discusses Rey Camoy, corporeal mime, the differences between British and Japanese audiences and more with Tania Coke
-
Online Arts and Lit editor, Manon Martini, interviews the cast of Mark Leipacher’s Macbeth – Partners of Greatness.
-
Clemence Smith writes a review of the Bournemouth Symphony Orchestra.
-
When: 17th – 20th January 2018 at 19:30 Where: Exeter Northcott Theatre Tickets: £15 (concession £12)…
-
Ham and jam and Spam(alot): a grim combination but a lovingly revived musical, Spamalot brings you the…
-
Haunting backlights, dark silhouettes and convicting voiceovers – the implications of deeper truths and knowledge are…
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