Review: Texas Chainsaw Massacre (2022) Pollyanna Roberts finds only a modicum of fun in Netflix’s direct sequel to Hooper’s canonical slasher and an overabundance of superficiality and missteps. As an …
Horror
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Girls, guts and gore Image: IMDb Francesca Sylph, Screen Editor, discusses Titane and the future of women in horror. BACK in 2016, French director Julia Ducournau shocked the world when …
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Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
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Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
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Screen Editor Olivia Garrett celebrates the classic horror Jaws on its 45th anniversary.
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On the 40th anniversary of The Shining, William Thornton reminisces on Kubrick’s masterpiece.
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Jacob Heayes praises Playdead’s unsettling horror platformer and its commentary on control.
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Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
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Bridie Adams appreciates Eli’s adoption of classic horror tropes but ultimately finds it a confusing watch.
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On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
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Review: Texas Chainsaw Massacre (2022) Pollyanna Roberts finds only a modicum of fun in Netflix’s direct sequel to Hooper’s canonical slasher and an overabundance of superficiality and missteps. As an …
-
Girls, guts and gore Image: IMDb Francesca Sylph, Screen Editor, discusses Titane and the future of women in horror. BACK in 2016, French director Julia Ducournau shocked the world when …
-
Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
-
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
-
Screen Editor Olivia Garrett celebrates the classic horror Jaws on its 45th anniversary.
-
On the 40th anniversary of The Shining, William Thornton reminisces on Kubrick’s masterpiece.
-
Jacob Heayes praises Playdead’s unsettling horror platformer and its commentary on control.
-
Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
-
Bridie Adams appreciates Eli’s adoption of classic horror tropes but ultimately finds it a confusing watch.
-
On its 40th anniversary, Max Shepherd celebrates the seminal science-fiction classic.
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