For Black History Month, Jess Cadogan, Online Screen Editor, explores the brilliant filmography of Jordan Peele – especially noting his fantastic mixing of comedy and horror.
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For Black History Month, Jess Cadogan, Online Screen Editor, explores the brilliant filmography of Jordan Peele – especially noting his fantastic mixing of comedy and horror.
Maddie Conlan, Print Arts and Lit Editor, reviews Ryan Simons’ Shock Horror as it takes the stage at Exeter Northcott Theatre.
Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
Pollyanna Roberts finds Smile a refreshing and frightening horror thriller
Review: Fresh Though not without its flaws and questionable tropes, Mimi Cave’s debut feature succeeds as a soft-horror exploration of online dating and modern love. Fresh is a particularly difficult …
Review: Texas Chainsaw Massacre (2022) Pollyanna Roberts finds only a modicum of fun in Netflix’s direct sequel to Hooper’s canonical slasher and an overabundance of superficiality and missteps. As an …
Girls, guts and gore Image: IMDb Francesca Sylph, Screen Editor, discusses Titane and the future of women in horror. BACK in 2016, French director Julia Ducournau shocked the world when …
Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
For Black History Month, Jess Cadogan, Online Screen Editor, explores the brilliant filmography of Jordan Peele – especially noting his fantastic mixing of comedy and horror.
Maddie Conlan, Print Arts and Lit Editor, reviews Ryan Simons’ Shock Horror as it takes the stage at Exeter Northcott Theatre.
Lauren Walsh, Arts and Lit editor reviews her Frankenstein at the Northcott Theatre.
Orla Watson, Online Science Editor, explores the chilling A24 horror, Talk To Me.
Pollyanna Roberts finds Smile a refreshing and frightening horror thriller
Review: Fresh Though not without its flaws and questionable tropes, Mimi Cave’s debut feature succeeds as a soft-horror exploration of online dating and modern love. Fresh is a particularly difficult …
Review: Texas Chainsaw Massacre (2022) Pollyanna Roberts finds only a modicum of fun in Netflix’s direct sequel to Hooper’s canonical slasher and an overabundance of superficiality and missteps. As an …
Girls, guts and gore Image: IMDb Francesca Sylph, Screen Editor, discusses Titane and the future of women in horror. BACK in 2016, French director Julia Ducournau shocked the world when …
Confronting the killer head-on or running in fear, Piers Mucklejohn considers the joys of horror gaming
Continuing his coverage of the London Film Festival, Henry Jordan considers violence in Brandon Cronenberg’s Possessor
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