Will Thornton looks over an assortment of TV endings and argues for the importance of the final episode.
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Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
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Anna Romanovski discusses the issues of Gwyneth Paltrow’s new documentary and the dangers of ‘pseudoscience’ documentaries on Netflix.
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An ensemble of Screen writers pitch in with their favourite films of the 2010s.
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Sofia Fahrion is disappointed by David Michôd’s Shakespeare adaptation for Netflix.
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Max Ingleby is amused by Eddie Murphy’s take on Rudy Ray Moore despite otherwise predictable execution.
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Henry Jordan is compelled in all the wrong ways by Babak Anvari’s sophomore horror feature.
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Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
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Max Ingleby finds Tell Me Who I Am to be a powerful documentary even if its existence raises some troubling questions.
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Catherine Lloyd and Olivia Garrett debate the pros and cons of binge watching.
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Will Thornton looks over an assortment of TV endings and argues for the importance of the final episode.
-
Max Shepherd reviews the Safdie Brothers’ intense gambling thriller.
-
Anna Romanovski discusses the issues of Gwyneth Paltrow’s new documentary and the dangers of ‘pseudoscience’ documentaries on Netflix.
-
An ensemble of Screen writers pitch in with their favourite films of the 2010s.
-
Sofia Fahrion is disappointed by David Michôd’s Shakespeare adaptation for Netflix.
-
Max Ingleby is amused by Eddie Murphy’s take on Rudy Ray Moore despite otherwise predictable execution.
-
Henry Jordan is compelled in all the wrong ways by Babak Anvari’s sophomore horror feature.
-
Tabby Burnett doesn’t find much frightening in Netflix’s adaptation of Stephen King.
-
Max Ingleby finds Tell Me Who I Am to be a powerful documentary even if its existence raises some troubling questions.
-
Catherine Lloyd and Olivia Garrett debate the pros and cons of binge watching.
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