Discover which works may elevate classic literature reading experience with a list of texts carefully chosen by Phoebe Andrews
Discover which works may elevate classic literature reading experience with a list of texts carefully chosen by Phoebe Andrews
Editor-in-Chief, Kayleigh Swart, reviews the latest production from the theatre located on the university campus
Print Sports editor Eloise Grainger reviews the Exeter ShakeCo’s rendition of Romeo and Juliet.
Judy Dodd, Print Arts and Lit Editor, discusses a great opportunity for dancers to get involved in Romeo & Juliet at the Northcott.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Review: The Tragedy of Macbeth Amy Colwell marvels at the visual spectacle of Joel Coen’s modernist, stark take on the classic Shakespearean tale of paranoia and betrayal. Joel Coen’s melancholic, …
Contributor Sofia Gallucci-Giles discusses the $10 million sale of Shakespeare’s first folio and whether such literary gold should be in the hands of the public domain
Freda Worrell explains why Gnomeo and Juliet is the best adaptation of ‘Romeo & Juliet’.
Discover which works may elevate classic literature reading experience with a list of texts carefully chosen by Phoebe Andrews
Editor-in-Chief, Kayleigh Swart, reviews the latest production from the theatre located on the university campus
Print Sports editor Eloise Grainger reviews the Exeter ShakeCo’s rendition of Romeo and Juliet.
Judy Dodd, Print Arts and Lit Editor, discusses a great opportunity for dancers to get involved in Romeo & Juliet at the Northcott.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Review: The Tragedy of Macbeth Amy Colwell marvels at the visual spectacle of Joel Coen’s modernist, stark take on the classic Shakespearean tale of paranoia and betrayal. Joel Coen’s melancholic, …
Contributor Sofia Gallucci-Giles discusses the $10 million sale of Shakespeare’s first folio and whether such literary gold should be in the hands of the public domain
Freda Worrell explains why Gnomeo and Juliet is the best adaptation of ‘Romeo & Juliet’.
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