Online Screen Editor, Jim Norman, concludes his coverage of We Are One with a retrospective look at the festival
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Online Screen Editor, Jim Norman, concludes his coverage of We Are One with a retrospective look at the festival
Online Screen Editor, Jim Norman, considers Les Ponts de Sarajevo from day three of the We Are One Film Festival
Online Screen Editor, Jim Norman, discusses the original documentary short, Blood Rider, from day four of the We Are One Film Festival
Online Screen Editor, Jim Norman, continues his coverage of WAOFF with a look at the BFI’s short film programme
Evie Hughes argues that the short film allows for more creatively liberating projects from filmmakers.
Starting in acting, director/actor Jo Southwell made her debut short in 2012, Holding On, and has been hooked ever since. Winning many awards for her shorts (Deirdre, Cover Me, The …
Online Screen Editor, Jim Norman, concludes his coverage of We Are One with a retrospective look at the festival
Online Screen Editor, Jim Norman, considers Les Ponts de Sarajevo from day three of the We Are One Film Festival
Online Screen Editor, Jim Norman, discusses the original documentary short, Blood Rider, from day four of the We Are One Film Festival
Online Screen Editor, Jim Norman, continues his coverage of WAOFF with a look at the BFI’s short film programme
Evie Hughes argues that the short film allows for more creatively liberating projects from filmmakers.
Starting in acting, director/actor Jo Southwell made her debut short in 2012, Holding On, and has been hooked ever since. Winning many awards for her shorts (Deirdre, Cover Me, The …
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