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William Lamb

Album Review: Kevin Morby – Oh My God

by William Lamb

When one listens to Kevin Morby’s fifth solo album, the double LP Oh My God, three times in a row during a six-hour car journey, one’s mind, unsurprisingly, becomes a tad warped. Perhaps this was Kevin’s intent. Certainly, like when you read Hemingway and spend a week spluttering short sentences about the importance of truth, […]

Comedy Post-Wodehouse

by William Lamb

If you were to read the opening paragraph of my personal statement – something which I would not recommend – you would come across something a bit like this: “I have always loved P.G. Wodehouse, and no matter how many times I read his novels, I find an unadulterated joy in his prose”. It’s pretty […]

Review: ‘Asockalypse Now’ @ M and D Room

by William Lamb

I’ll admit, having not seen a university comedy performance before, I entered the M&D room with trepidation. Thankfully, after the first handful of sketches, I relaxed, settled into my seat, and chuckled away for the remainder. The show opened with a framing device: five people meet in a cave for, let’s say, a meeting of […]

Live Review: Matt Maltese @ Thekla

by William Lamb

With the recent arrival of The Flame, the posthumously published collection of poetry by Leonard Cohen, I feel like I am surely not alone in having a Cohen-shaped hole open up again. Around about the same time, I revisited my favourite album of this year, Matt Maltese’s Bad Contestant. You can join the dots. At […]

Suspiria – Review

by William Lamb

in the fifth of Luca Guadagnino’s six act opus, Dakota Johnson asks “why is everyone so ready to think the worst is over?” It is a question that rattles around your head with dread: surely there are not worse horrors yet to come? There are, and it has all of the operatic extravagance of some […]

Is Performance Art a Form of Expression or Not Real Art?

by William Lamb

A work was exhibited in the Serpentine Gallery in 1995 entitled ‘The Maybe’ in which a figure lay on a bare bed in a glass cabinet for eight hours a day and seven days a week. The figure in question was the actor Tilda Swinton, ten years before she would become the White Witch in […]

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