Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Rosie Peters-McDonald, Print Deputy Editor, interviews Devon-based performer and theatre company owner Cristina Varga
Violet Berney details her experience of The British Library’s Fantasy: Realms of Imagination exhibition
Agata Koralewska tells a mysterious Christmas story about an unexpected guest.
Antonella Persa discusses her top three artworks for the season.
Rosie Batsford, Print News Editor, takes a look at this year’s impressive Booker Prize shortlist.
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
Annabel Jeffery covers a modern classic perfect for the new academic year, Sally Rooney’s Normal People.
Online Editor-in-Chief, Amelie Thompson, speaks with Val Jones and Ray Gosney about the Creative Older Women collective, sexageism and culture in Exeter.
Catherine Stone reviews the popular science fiction novel Dune, in light of its recent film adaptation.
Who has not stumbled across a list of “books that will change your life”? The popularity of non-fiction is on the rise, as authors seek to give readers accessible introductions to a plethora of topics, ranging from feminism to boosting productivity. Rhian Hutchings analyses this phenomenon and its potential consequences.
Abdulrazak Gurnah, winner of the 2021 Nobel Prize in literature, has surged to the top of bestseller lists. Catherine Nock reviews his latest novel, Afterlives, and discusses the impact of receiving such high critical acclaim.
Fashion is unlike any other art form; its omnipresence in popular culture seems to foster controversy. Can designers approach social taboos without causing offence? Siobhan Bahl explores the recent debate surrounding the Givenchy noose necklace and discusses how brands should tackle sensitive topics.
In celebration of Black History Month, two Exeposé contributors share their book recommendations. Catherine Stone discusses Noughts & Crosses by Malorie Blackman and Clémence Smith reviews The Nickel Boys by Colson Whitehead. Beware: spoilers ahead!
Texts labelled as “classics” often seem static and immovable as they maintain a firm position within literary history. A newly discovered Tennessee Williams story, however, makes us rethink this preconception. Catherine Nock explores this recent publication and how it destabilises our notion of the literary canon.
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