Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
Amy Rushton investigates how Kenneth Branaugh’s ‘A Haunting in Venice’ stands up as an adaptation of Agatha Christie’s Hallowe’en Party and why it falls short.
Annabel Jeffery covers a modern classic perfect for the new academic year, Sally Rooney’s Normal People.
Online Editor-in-Chief, Amelie Thompson, speaks with Val Jones and Ray Gosney about the Creative Older Women collective, sexageism and culture in Exeter.
From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.
Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Lucy Facer explores the intricacies of the twenty-first century minimalist movement
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Floris de Bruin uncovers the new economic and environmentally-friendly architecture which could revolutionise the way we build.
Fisayo Amodu discusses pseudonyms and their impact on the art world.
Cat Stone overviews the very first novel, The Tale of Genji, and it’s cultural impact.
Jessica Holifield commemorates Women’s History Month by celebrating women’s contribution to literature. Who are the female literary greats and why?
Rhian Hutchings reminisces on family photographs, and the sentimental value they have for us in lockdown.
Bridie Adams questions the fairness of gallery and theatre reopening in relation to the rest of the economy. Is it right that retail opens before the arts?
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