Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
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Paris Gill reviews The Duchess of Malfi, as directed by Rachel Bagshaw, which took the stage at the Sam Wanamaker Playhouse.
Joshua Smith explains the complex history behind the Parthenon Marbles and questions what modern museums should be doing to account for their colonial pasts.
Isabel Caine explores the history behind the pantomime, one of Britain’s more unique Christmas traditions.
Catherine Stone reviews the popular science fiction novel Dune, in light of its recent film adaptation.
Austin Taylor explores Exeter’s rich architectural histories, from its Roman roots to its Georgian splendour
Eirwen Abberley Watton draws our attention towards an often ignored sub-genre – climate fiction – and the tangible impacts it has.
Megan Ballantyne considers David Bowie’s artistic and cultural legacy, from the 1970s up to present day.
Rachael Powell reviews Suzanne Collins latest book: ‘The Ballad of Songbirds and Snakes’
Anna Romanovska, Print Lifestyle Editor, reviews Spotlights Show Choir’s newest show, ‘Expressing Yourself’.
Liv Adams rethinks the accepted regulations in museums that praise sight uniquely disregarding the other senses. ‘Do not touch’, a sign plastered over all art exhibitions. A phrase that sparks, without …
Eveline Vouillemin reviews The Lost Words exhibition at the RAMM focusing on its enveloping appreciation of nature in a world that is increasingly neglecting it From 19 October through to …
Molly Clearly explores the importance of opening lines and discusses some of her favourites.
George Clark, Print Comment Editor, discusses the debate of audiobooks versus physical books and how they are different rather than a copy of the other.
Be the Change society combines creativity and initiative to spread awareness on microplastics
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