Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
Online Arts and Lit Editor, Manon Martini, assesses the recent funding cuts to the English National Opera and what impact this might have on the arts in Britain.
Manon Martini, Arts + Lit Editor, reveals the best places to buy second-hand books and the joys of rehoming preloved books instead of buying new ones.
Dexter Woolley discusses the background to artist Sasha Huber’s latest exhibition and her pursuit to change the name of the Swiss mountain, Agassizhorn, named after infamous scientist Louis Agassiz.
Fashion is unlike any other art form; its omnipresence in popular culture seems to foster controversy. Can designers approach social taboos without causing offence? Siobhan Bahl explores the recent debate surrounding the Givenchy noose necklace and discusses how brands should tackle sensitive topics.
In celebration of Black History Month, two Exeposé contributors share their book recommendations. Catherine Stone discusses Noughts & Crosses by Malorie Blackman and Clémence Smith reviews The Nickel Boys by Colson Whitehead. Beware: spoilers ahead!
Texts labelled as “classics” often seem static and immovable as they maintain a firm position within literary history. A newly discovered Tennessee Williams story, however, makes us rethink this preconception. Catherine Nock explores this recent publication and how it destabilises our notion of the literary canon.
Lucy Aylmer, Deputy Editor, discusses the extent to which racism has been eradicated in the art world
Jaysim Hanspal, Print Features Editor, review ‘Trojan Horse’.
Freda Worrell reviews ‘Night of the Living Dead’ at Northcott Theatre.
Online Music Editor, Megan Frost, discusses some of her favourite pieces of art in children’s literature.
Online Arts and Literature Editor, Ariane Joudrey, discusses the different platforms of online literature communities.
Jess Calcutt discusses the lack of spending on women’s art and how it may, or may not, change in the future.
Amelia Gregory discusses The Carol Shields Prize for Fiction, America’s first literary award for women and non-binary writers.
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