Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
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Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
Faith Dale-Hughes gives her two cents on the new Mulaney material, performed in Hammersmith, London.
Isabella Ankerson, Deputy Online Editor, reviews Theatre with Teeth’s newest production, It’s a Woman’s World.
Harry Craig, Print Music Editor, reviews Frankie Boyle’s show at Exeter’s Great Hall.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
Faith Dale-Hughes gives her two cents on the new Mulaney material, performed in Hammersmith, London.
Isabella Ankerson, Deputy Online Editor, reviews Theatre with Teeth’s newest production, It’s a Woman’s World.
Harry Craig, Print Music Editor, reviews Frankie Boyle’s show at Exeter’s Great Hall.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Arts and Lit editor, Ella Minty, reviews the booktok sensation, Secretly Yours by Tessa Bailey
Freda Worrell Reviews The Shotgun Theatre’s Little Woman: The Broadway Musical
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Emily Sara Rizzo reviews Travis Baldree’s debut novel, Legends and Lattes
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