Reviews

Amberly Wright shares her week of Parisian summer and the artwork that framed it.

Lucy Facer discusses the uncertainty of young adulthood as navigated by the protagonist of Elif Batuman’s The Idiot.

Emily Rizzo introduces us to the curious wonder of In Watermelon Sugar and outlines why it’s a perfect fit for the transition from summer to autumn.

Gracie Moore, Arts and Lit Editor, gives her review on Exeter Theatre Company’s latest show, the performance of David MacGregor’s ‘Vino Veritas’

Rosie Batsford discusses censorship and feminist ideology in relation to Henrik Ibsen’s 1879 play A Doll’s House.

Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.

Faith Dale-Hughes gives her two cents on the new Mulaney material, performed in Hammersmith, London.

Isabella Ankerson, Deputy Online Editor, reviews Theatre with Teeth’s newest production, It’s a Woman’s World.

Harry Craig, Print Music Editor, reviews Frankie Boyle’s show at Exeter’s Great Hall.

Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre