Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Rhys Thomas, in honour of Movember, discusses how men’s health is represented on film, from ‘The Banshees of Inisherin’ to ‘A Beautiful Mind’.
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Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
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Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
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Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
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Victoria White discusses the impact of the new Netflix series ‘Monsters: The Lyle and Erik Menendez Story’ on the recent resentencing of the case.
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Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
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Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
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Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
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Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
- International ScreensScreenScreen Spotlight
International Spotlight: Chłopi (2023) by DK & Hugh Welchman
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
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Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
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Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
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Maddie Conlan, Print Arts and Lit Editor, discusses some iconic British reality television, especially noting longtime favourite The Apprentice.
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