Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Rhys Thomas, in honour of Movember, discusses how men’s health is represented on film, from ‘The Banshees of Inisherin’ to ‘A Beautiful Mind’.
Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
Phoebe Andrews discusses the power of psychological horror in ‘Heretic’.
Victoria White discusses the impact of the new Netflix series ‘Monsters: The Lyle and Erik Menendez Story’ on the recent resentencing of the case.
Jakub Ciesielski reviews ‘The Apprentice’ in the wake of the US election results.
Flora Runnacles reviews the new Netflix romcom TV show, ‘Nobody Wants This’.
Maddy Conlan Reviews ‘Dune: Part Two’ marking it as an entertaining and visually arresting watch.
Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Sarah Gould praises the new Bob Marley biopic, especially noting star performances and the overall tone of the film.
Maddie Conlan, Print Arts and Lit Editor, discusses some iconic British reality television, especially noting longtime favourite The Apprentice.
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