Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Print Sports Editor, Eloise Grainger, discusses the new film adaptation of Colleen Hoover’s novel ‘It Ends With Us’.
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Helena Hughes’ insightful Take on the Cannes 77th Annual Film Festival.
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Print Lifestyle Editor, Lucy Rawlings, explores a reinvention of the romance musical that epitomises a great goodbye.
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Zandie Howells discusses the common trope of the isolated place in horror films, and how the rules of horror have been bent and shaped by different settings.
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Anna Jones discusses the irony and misogyny surrounding Barbie’s Oscar nominations.
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Maya Fernandes praises Oscar nominated The Holdovers, discussing the distinctly nostalgic and warming atmosphere, as well as the performances of the unlikely trio.
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Sarah Gould has much praise for One Life, noting the brilliant performances, and discussing the incredible true story the film is based on.
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Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
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DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
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Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
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James Allen discusses some of the major failings of Marvel’s most recent Disney+ show, Secret Invasion.
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After the release of the official trailer, Lisette Reed, Print Comment Editor, discusses the highly anticipated Doctor Who anniversary specials, as well as the upcoming new series.
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What else could ease you back into life at university like the Reese Witherspoon classic? Amy Rushton, Online Comment Editor, discusses the perfect exam motivation movie.
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