Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
Maya Fernandes reviews Sharrock’s chocolate-box comedy, ‘Wicked Little Letters,’ addressing its humorous take on social commentary.
Agata Koralewska, Online International Editor, praises the Polish film Chłopi (The Peasants), especially noting the fantastic visuals and exploration of character.
Lachlan Evans discusses how ‘The Iron Claw’ successfully brings the true story of a cursed family to film.
Daniel Eke discusses the newest film from Studio Ghibli, and notes the stunning visuals and themes of family.
Kayleigh Swart, Print Screen Editor, discusses the new Wonka film, praising its actors and world-building.
Jess Cadogan, Online Screen Editor, talks with director Sarah Drummond about making her new documentary, growing up under Section 28, and the need for education around the clause.
Eloise Grainger, Print Sport Editor, steps into the driver’s seat for a review of Ferrari, that will make you want to learn all there is to know about Enzo Ferrari.
Lisette Reed, Print Comment Editor, discusses the animated Barbie films of the 2000s, and their impact on herself and others who grew up with them.
Jess Cadogan has nothing but praise for Elizabeth Banks’ new careful, refreshingly hilarious retelling of a drug operation gone wild
Niamh Cherrett explores Damien Chazelle’s flamboyant, colourful world, declaring La La Land her top pick.
Lisette Reed has nothing but praise for Dreamworks’ new, now Oscar-nominated animated extravaganza, Puss in Boots: The Last Wish.
Though initially hesitant, Emma Kennedy has nothing but praise for HBO’s The Last of Us, a series adaptation of the iconic 2013 videogame
The unexpected farming tour-de-force returns for a second season, and sees the controversial former Top Gear presenter goes from bumbling oaf to agricultural activist, writes Harry Craig
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