Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Charlotte Jordan explores the Friends to Lovers trope in films and TV, noting not only the heartwarming aspect, but the potential for great drama too.
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Maximus Woodley praises the self-referential elements of Disney’s Wish as a 100th Anniversary film, but notes the otherwise disappointing lack of intriguing content.
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Betsy Heasman has much praise for Emerald Fennell’s disturbing comedy thriller, especially praising the instinctive but intriguing revulsion prompted by the film’s content.
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Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
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DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
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Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
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James Allen discusses some of the major failings of Marvel’s most recent Disney+ show, Secret Invasion.
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