Phoebe Andrews dissects ‘The Monkey’, A bizarre horror-comedy that mixes absurd gore with twisted humour.
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Lachlan Evans praises Martin Scorcese’s latest feature, noting the performance quality from each of the key characters.
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Bronwyn Payne discusses the first few episodes of the second season of Loki, a show which, among controversy and overcomplexity, finds light in the addition of Ke Huy Quan.
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Daniel Eke explores director Ken Loach’s most recent, and rumoured last, film: The Old Oak.
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Niamh Cherrett explores Damien Chazelle’s flamboyant, colourful world, declaring La La Land her top pick.
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Lisette Reed has nothing but praise for Dreamworks’ new, now Oscar-nominated animated extravaganza, Puss in Boots: The Last Wish.
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Though initially hesitant, Emma Kennedy has nothing but praise for HBO’s The Last of Us, a series adaptation of the iconic 2013 videogame
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The unexpected farming tour-de-force returns for a second season, and sees the controversial former Top Gear presenter goes from bumbling oaf to agricultural activist, writes Harry Craig
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Georgia Balmer investigates the lack of middle-aged women in Hollywood productions. Is youth and beauty a necessity for stardom?
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Olivia Richards discusses the impact of Love Island on contestants’ mental health, and the wider issues of internet abuse and trolling that this exposes.
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In the wake of a new series of Love Island, Social Media Executive, Emily Im, discusses the show’s inclusivity problem.
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Despite its stellar cast and interesting plot, Henry Hood finds there are too many flaws in Netflix’s latest sci-fi adventure
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Maggie John finds beauty in the latest Liam Neeson vehicle, Made in Italy
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32 seasons in, Joshua Hughes considers considers the the downfall of The Simpsons
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