Reviews

With Darkest Hour, director Joe Wright thrillingly illustrates the political side of Christopher Nolan’s Dunkirk by placing a momentous piece of history into the hands of Gary Oldman. Wright – …

Hugo is a bit of an oddball in Martin Scorsese’s canon of work. Audiences are most likely to associate Scorsese with dark brooding works on human fragility from Mean Streets …

Earlier this year, amid the clutter and noise of the awards season, one especially beautiful film was lost in the tidal wave of contenders. It achieved only one nomination at …

Tommy Wiseau makes strange movies. Let me rephrase. Tommy Wiseau directs strange movies. What’s the difference? It’s a question that The Disaster Artist sets out to answer. “Based on” the making of The Room …

As someone who is a huge fan of the first Paddington film, I had high hopes for the second, and it did not disappoint. In Paddington 2, we follow the …

It’s a warm summer’s day in a beer garden, two men, who until now were at odds, toast to the future and share sweet bonding moment. A boy starts singing …

Justice League is not, strictly speaking, a bad film. It’s not awful. It’s not even terrible. Unfortunately, it’s not particularly good either – and it certainly doesn’t do justice to …

The Australians are rather good at horror films, aren’t they? Whilst most would cite Jennifer Kent’s The Babadook as the prime example of a chiller from Down Under, there’s more than enough …

To say a film seems effortlessly beautiful feels like a backhanded compliment, but that’s exactly how Luca Guadagnino’s Call Me By Your Name strikes you. Set in the Italian summer …

To any musical fan, the song titles ‘Sweet Transvestite’, ‘The Time Warp’ and ‘Dammit Janet’ are all unmistakable hallmarks of the 1975 classic The Rocky Horror Picture Show – even …