Antonella Perna analyses Billie Eilish’s powerful and personal new album, celebrating her talent as an artist in exploring such a range of hard-hitting topics.
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Antonella Perna analyses Billie Eilish’s powerful and personal new album, celebrating her talent as an artist in exploring such a range of hard-hitting topics.
Phoebe Ozanne reviews Taylor Swift’s latest album, “The Tortured Poets Department” and shares her favourite tracks from the record.
Rachel McEwan discusses Laufey’s latest album, Bewitched, and its revitalisation of jazz music.
Esther Humphries reviews Gabrielle Aplin’s new album, Phosphorescent.
Dexter Woolley reviews Arctic Monkeys’ new album, The Car.
Manon Martini reviews The 1975’s new album, Being Funny in a Foreign Language.
Lauren Jones, Music Editor, reviews Beabadoobee’s sophomore album, Beatopia
Harry Craig reviews George Ezra’s newly released album, Gold Rush Kid.
Print Music Editor Bridie Adams reviews beabadoobee’s debut album.
William Thornton shares his opinion on Public Enemy’s brand new album.
Antonella Perna analyses Billie Eilish’s powerful and personal new album, celebrating her talent as an artist in exploring such a range of hard-hitting topics.
Phoebe Ozanne reviews Taylor Swift’s latest album, “The Tortured Poets Department” and shares her favourite tracks from the record.
Rachel McEwan discusses Laufey’s latest album, Bewitched, and its revitalisation of jazz music.
Esther Humphries reviews Gabrielle Aplin’s new album, Phosphorescent.
Dexter Woolley reviews Arctic Monkeys’ new album, The Car.
Manon Martini reviews The 1975’s new album, Being Funny in a Foreign Language.
Lauren Jones, Music Editor, reviews Beabadoobee’s sophomore album, Beatopia
Harry Craig reviews George Ezra’s newly released album, Gold Rush Kid.
Print Music Editor Bridie Adams reviews beabadoobee’s debut album.
William Thornton shares his opinion on Public Enemy’s brand new album.
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