Judy Dodd informs us of the latest update to the Art Council England’s relationship framework and what this could mean.
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Judy Dodd informs us of the latest update to the Art Council England’s relationship framework and what this could mean.
Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Lucy Facer explores the intricacies of the twenty-first century minimalist movement
Niamh Walsh explores how the creative industries have been let down since Britain’s departure from the EU and glimpses into what its future may hold.
In the wake of controversy surrounding the government’s failure to support the arts through the pandemic, Sophie Porteous weighs in on what this lack of support might mean for the industry, and what could be done to help save it.
Is it damage to legal property if it is a beautiful mural all citizens enjoy? Is it a limit on our freedom of expression to remove such pieces that have become, like the ones of Banksy, almost landmarks? This debate is seen this week on Exeposè, bringing together comment and art sections.
‘The Blood Forest’ artwork illuminates the Brazilian night as a protest against the recent deforestation crisis In the already stunning spectacle that is the amazon rainforest, unveiled by the pouring …
Zach Mayford, Print Arts and Lit editor, reviews the various events of Poltimore Festival.
Judy Dodd informs us of the latest update to the Art Council England’s relationship framework and what this could mean.
Arts + Lit Editor Violet Berney gives her take on the National Theatre’s production of James Graham’s Best of Enemies.
Dexter Woolley sets the scene surrounding the creation of Frank O’Hara’s ‘The Day Lady Died’.
Emily Sara Rizzo review Sherlock Holmes- The Valley of Fear at the Northcott Theatre
Lucy Facer explores the intricacies of the twenty-first century minimalist movement
Niamh Walsh explores how the creative industries have been let down since Britain’s departure from the EU and glimpses into what its future may hold.
In the wake of controversy surrounding the government’s failure to support the arts through the pandemic, Sophie Porteous weighs in on what this lack of support might mean for the industry, and what could be done to help save it.
Is it damage to legal property if it is a beautiful mural all citizens enjoy? Is it a limit on our freedom of expression to remove such pieces that have become, like the ones of Banksy, almost landmarks? This debate is seen this week on Exeposè, bringing together comment and art sections.
‘The Blood Forest’ artwork illuminates the Brazilian night as a protest against the recent deforestation crisis In the already stunning spectacle that is the amazon rainforest, unveiled by the pouring …
Zach Mayford, Print Arts and Lit editor, reviews the various events of Poltimore Festival.
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