Texts labelled as “classics” often seem static and immovable as they maintain a firm position within literary history. A newly discovered Tennessee Williams story, however, makes us rethink this preconception. Catherine Nock explores this recent publication and how it destabilises our notion of the literary canon.
Why ‘anon’ is a woman of colour Online Lifestyle Editor, Amy Butterworth, highlights the value of events like FemSoc’s Women of Colour Poetry Night and the need to decolonise the arts VIRGINIA Woolf famously said that “anon, who wrote so many poems without signing them, was often a woman”. In contrast, the “anon” of today […]