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Review: Dead to Me

I began watching Dead to Me on Netflix on Saturday night and despite the fact I had an exam on the Tuesday afternoon, I had finished...

PRINT Review: Shotgun Theater’s Spring Awakening

Shotgun Theatre’s performance of Spring Awakening is nothing short of overflowing with talent, and I feel genuinely privileged to have seen it. Set in...
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Under the Silver Lake – Review

Following up from his stylish horror homage It Follows, David Robert Mitchell has attempted to transition into the neo-noir space with his latest LA-set pastiche Under...

Review: Footlights’ ‘Oklahoma’

This year’s Footlights Northcott offering is a production of the one and only Oklahoma. With music and libretto by the ineffable Rodgers and Hammerstein,...
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Alita: Battle Angel – Review

Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a scrapheap of genres and concepts. Far from a...

Review: ShakeSoc’s ‘Doctor Faustus’

A wet and dreary evening set the scene for ShakeSoc’s opening night of ‘Doctor Faustus’, performed in the Chapter House at Exeter Cathedral. Its...
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Glass – Review

One doesn't need to look hard to notice that the cinematic landscape has evolved in the past couple of decades. Whilst Disney - and...

Review: Comptoir Libanais’ Vegan Feast

In celebration of the new year and Veganuary, Comptoir Libanais invited us to try their new Vegan three course set menu costing £12.95. The...
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Album Review: Death Grips – Year of the Snitch

Coming hot off of their blistering 2016 record Bottomless Pit, expectations for industrial hip-hop group Death Grips' sixth album Year of the Snitch were high....

Review: EUTCo’s ‘Lord of The Flies’ @ The Northcott

“There is a beast. Because I saw it”. I saw the beast of a show that is EUTCO’s latest Northcott offering, a contemporary retelling of...