This year’s Footlights Northcott offering is a production of the one and only Oklahoma. With music…
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Review
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Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a…
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A wet and dreary evening set the scene for ShakeSoc’s opening night of ‘Doctor Faustus’, performed…
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One doesn’t need to look hard to notice that the cinematic landscape has evolved in the…
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In celebration of the new year and Veganuary, Comptoir Libanais invited us to try their new…
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Coming hot off of their blistering 2016 record Bottomless Pit, expectations for industrial hip-hop group Death…
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“There is a beast. Because I saw it”. I saw the beast of a show that…
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IF you’ve never seen Take Me Out, let me preface this by summarising the show; this…
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Morbidly chuckle-raising and intelligent in its silliness, EUTCo’s ‘Arsenic and Old Lace’ was a laugh for…
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The hilarious and surprisingly talented cast of Shakesoc succeeded in bringing to life all the celebrated…
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This year’s Footlights Northcott offering is a production of the one and only Oklahoma. With music…
-
Like the cyborgs that inhabit its glossy, commercialised metropolis, Alita: Battle Angel often feels stitched together from a…
-
A wet and dreary evening set the scene for ShakeSoc’s opening night of ‘Doctor Faustus’, performed…
-
One doesn’t need to look hard to notice that the cinematic landscape has evolved in the…
-
In celebration of the new year and Veganuary, Comptoir Libanais invited us to try their new…
-
Coming hot off of their blistering 2016 record Bottomless Pit, expectations for industrial hip-hop group Death…
-
“There is a beast. Because I saw it”. I saw the beast of a show that…
-
IF you’ve never seen Take Me Out, let me preface this by summarising the show; this…
-
Morbidly chuckle-raising and intelligent in its silliness, EUTCo’s ‘Arsenic and Old Lace’ was a laugh for…
-
The hilarious and surprisingly talented cast of Shakesoc succeeded in bringing to life all the celebrated…
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