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Shakespeare

Shaking up Shakespeare for the modern audience

by Rosie Batsford

From Maggie O’Farrell’s Hamnet to Michael Radford’s The Merchant of Venice, Arts and Lit writer, Rosie Batsford, explores how Shakespearean texts are being made palatable for the twenty-first century audience.

Review: Shakespeare Company’s The Tempest

by Clémence Smith

Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.

Review: The Tragedy of Macbeth

by Amy Colwell

Review: The Tragedy of Macbeth Amy Colwell marvels at the visual spectacle of Joel Coen’s modernist, stark take on the classic Shakespearean tale of paranoia and betrayal. Joel Coen’s melancholic, haunting reimagining of Shakespeare’s Macbeth for A24 provides audiences with nearly two hours of brilliant visual spectacle. There is undeniable pressure that accompanies the production […]

‘No profits grow where no pleasure is taken’: Shakespeare’s Complete First Folio sold for $10 million to private owner

by Sofia Giles

Contributor Sofia Gallucci-Giles discusses the $10 million sale of Shakespeare’s first folio and whether such literary gold should be in the hands of the public domain

Shakespeare on Screen

by Screen

Freda Worrell explains why Gnomeo and Juliet is the best adaptation of ‘Romeo & Juliet’.

Shakespeare for the masses: EUSC’s King Lear at Exeter Cathedral

by Gaia Neiman

Online Comment editor, Gaia Neiman, reviews Exeter University’s Shakespeare Company’s ‘King Lear’ performed at Exeter Cathedral.

Theatre to Screen

by Jim Norman

Jim Norman considers the value of moving stories from stage to screen.

REVIEW Shakespeare Society’s ‘Hamlet’

by Ariane Joudrey

Online Arts and Lit Editor, Ariane Joudrey, gives Shakespeare Society’s ‘Hamlet’ a 5-star review.

‘Twelfth Night’ Review at Hole in the Wall

by Greta Sanna

The hilarious and surprisingly talented cast of Shakesoc succeeded in bringing to life all the celebrated aspects of Shakespeare’s ‘Twelfth Night’, adding humorous details to make it pertinent to uni life. The play included references to Devon and iconic songs such as ‘500 miles’ and ‘Take Me Home, Country Roads’ . The play also featured […]

To Modernise or Not To Modernise: Why modern adaptations of Shakespeare simultaneously engage some and bore others

by Sofia Giles

I am a sucker for Shakespeare. Whenever I say that to people I tend to be met with looks of disgust or confusion; apparently Shakespeare isn’t an overly ‘cool’ thing to like as an 18 year old. I give the excuse that I’m an English student from Stratford-Upon-Avon so I have no excuse not to […]

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