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The music section of Exeter's independent student newspaper.

Call It What You Want: Taylor Swift’s ‘reputation’

My reputation has never been worse for being a Taylor Swift fan than in the last few months. I have been repeatedly interrogated about the...

Album Review: Tegan and Sara – The Con X

The Con, Canadian duo Tegan and Sara’s fifth studio album, is an album I grew up with; as a 9-year-old, it opened me up...

Album Review: Kelela – Take Me Apart

I first heard Kelela Mizanekristos’ brand of experimental R&B-infused electronica back in October 2013, when I downloaded her Cut 4 Me mixtape upon receiving...

EP Review: Kamasi Washington – Harmony of Difference

Following on from his 2015 debut studio release The Epic, which definitely earned its title by sweeping and sprawling across a three-hour running time, saxophonist...

A Fickle Game: An Interview with Amber Run’s Joe Keogh

For those of us lucky enough to be on board with Exeter’s live music scene, Amber Run managed to come over to our very...

An Obituary to Tom Petty

Tom Petty, one of the great songwriters of the 70s through 90s, died this week aged 66. He is one of the best selling...

Songs from the South West #1: Moody Will & The Roll

"We were sat hungover in a pub, in Camden and with a flippant comment about my hangover 'Moody Will' was formed... I later came...

Live Review: U2, The Joshua Tree 30th Anniversary Tour @ Twickenham...

U2 are one of the biggest stadium acts in rock history, undisputedly. After having a string of hit singles in the early – mid...

Album Review: Passenger – The Boy Who Cried Wolf

Eight albums already in, Passenger is back for one last time before he takes a long deserved break, adding an additional 10 tracks to...
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Poltimore Sessions 2017 | Private Agenda

In collaboration with XTV and Poltimore Festival, Exeposé Music is hyped to present the Poltimore Sessions, where local artists on Poltimore Festival's esteemed bill...