Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
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Rachel Bulman reviews Exeter Northcott and Le Navet Bete’s production of Cinderella
Isabella Maunder discusses her experience of and thoughts regarding Edinburgh Festival Fringe this past August.
Amber Platel discusses why this book may be the perfect read for commencing the new University year.
Print Arts and Lit Editor, Lauren Walsh covers her experience at the iconic Shakespeare festival in Cambridge.
Cleo Gravett, Print Satire Editor, reflects on her experience at the Futures Physical Theatre Masterclass
Online Arts and Lit editor, Manon Martini, interviews the cast of Mark Leipacher’s Macbeth – Partners of Greatness.
Agata Koralewska analyses the emergence of ‘bookstagram’ and explores the pros and cons of the online reading community.
Clémence Smith, Editor-in-Chief, reviews Exeter University Shakespeare Company’s production of The Tempest.
Amplify’s Online Editor, Rupali Naik, interviews the founders of The Creative Switch on their recent growth, work, and experiences.
Print Editor Bryony Gooch looks at the University of Leicester’s decision to axe Medieval Literature as an attempt to decolonise the curriculum.
Austin Taylor explores Exeter’s rich architectural histories, from its Roman roots to its Georgian splendour
Eirwen Abberley Watton draws our attention towards an often ignored sub-genre – climate fiction – and the tangible impacts it has.
Megan Ballantyne considers David Bowie’s artistic and cultural legacy, from the 1970s up to present day.
Rachael Powell reviews Suzanne Collins latest book: ‘The Ballad of Songbirds and Snakes’
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