Beth Casey examines the new Apple TV + film ‘The Gorge’, discussing its’ strange mix of genres and expensive visuals.
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Eloise Grainger dissects the latest season of ‘The Traitors’—a masterclass in deception or a frustrating watch?
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Magdalena Kanecka revisits Bridget Jones in ‘Mad About the Boy’—a nostalgic farewell or a new beginning?
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Rebecca Aparicio Vega explores ‘The Brutalist”, a gripping portrayal of trauma, art, and the elusive American Dream.
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Magdalena Kanecka revisits Bridget Jones in ‘Mad About the Boy’—a nostalgic farewell or a new beginning?
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Rebecca Aparicio Vega explores ‘The Brutalist”, a gripping portrayal of trauma, art, and the elusive American Dream.
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Toby Merrison reviews the first two seasons of Apple TV’s psychological thriller ‘Severance’. (Contains spoilers for season 2).
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Christina Chapman discusses the relationship between AI and the ‘ideal woman’ in light of the recent release of ‘Companion’.
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Rhys Thomas, in honour of Movember, discusses how men’s health is represented on film, from ‘The Banshees of Inisherin’ to ‘A Beautiful Mind’.
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Owen Peak, Online Arts and Lit Editor, discusses the new Catalan comedy ‘A House on Fire’ and the wider Catalan film industry.
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Charlotte Isbell unpacks ‘It’s What’s Inside’, Netflix’s bold and disorienting spin on the body-swap genre.
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Elin Gray delves into the drama of Keeping Up With the Kardashians and its appeal as the ultimate student escape.
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Bella Maclusky reviews ‘Rocks’, a powerful portrayal of resilience and friendship in London’s inner city.
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Joseph James reviews Sean Baker’s Palme d’Or-winning, character-driven film, Anora.
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