Jasmine Payne explores Lady Bird and its beautifully messy mother-daughter relationship.
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Mitch Rowe discusses Pixar’s new film, Elemental, and notes the film’s use of social-issue themes.
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Anna Mear discusses all four of Wes Anderson’s short film adaptations of Roald Dahl classics.
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Kayleigh Swart discusses the second season of Netflix’s Heartstopper, finding the show perfectly warming and cheesy in all the right ways.
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Catherine Stone praises Coogler’s respectful continuation of the Black Panther story whilst acknowledging its struggles to live up to its predecessor
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Jessica Cadogan finds that despite being an aesthetic treat, Empire of Light ultimately lacks substance and tries to tackling too many hard-hitting issues
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Jess Cadogan provides a whistle-stop tour of this month’s big releases, including A24’s much-anticipated now Oscar-nominated The Whale
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Jake Avery finds that while The Menu provides high-octane moments of tension, it feels a tad undernourished in terms of emotional engagement
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In response to It’s a Sin creator, Russell T. Davies, Nick Powell considers the necessity of casting authenticity
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With the news of a sequel on the way, Archie Lockyer runs us through the joys of Spider-Man: Into the Spider-Verse and looks towards the future of the franchise
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Cyber Flunk Sally Denning runs us through one of the gaming industry’s biggest flops in recent…
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Eirwen Abberley Watton reviews the new Netflix series, Bridgerton, discussing the show’s strong-willed female characters, as well as problematic elements that the fanbase may have overlooked.
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Tired episode structures, forgettable characters and a flailing Doctor, Stanley Murphy-Johns breaks down the current problems with Doctor Who
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Star Wars spin-offs and Marvel mayhem, Isaac Bettridge analyses what the latest Disney+ announcement means for the entertainment industry
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