Jasmine Payne explores Lady Bird and its beautifully messy mother-daughter relationship.
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Eloise Grainger discusses villain archetypes, and how subverting expectations of these established tropes can sometimes lead to a more powerful characterisation.
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DIVINELY HELLISH IN EVERY WAY: Emily Rizzo finds Season 2 of the hit adaptation delightful, although not without flaws.
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Judy Dodd introduces the brilliant work of Belgian director and screenwriter, Lukas Dhont, with a review of his beautifully intimate film, ‘Close’.
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Shagnick Bhattacharya can find no faults with Netflix’s reimagining of the anti-war classic
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Harry Styles nearly jeopardises Amazon’s adaptation of My Policeman, which Lisette Reed enjoys for its mostly strong performances and direction
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Pollyanna Roberts finds Smile a refreshing and frightening horror thriller
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Ewan Edwards briefs readers on what to expect this season and the potential backlash in the wake of HMS Queen Elizabeth’s death
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Max Ingleby reviews the new film Saint Maud, created by the same studio as Moonlight, Lady Bird, and Ex-Machina.
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Megan Ballantyne reviews Netflix original The Haunting Of Bly Manor.
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Jack Walton gives us the perfect formula for a Roald Dahl movie.
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Henry Jordan shares his favourite memories of lockdown gaming.
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Max Shepherd finds the new Netflix chess series, The Queen’s Gambit, to be anything but black and white
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After the heartbreaking news of Cineworld’s and Picturehouse’s closure, Will Thronton reminisces on his best memory of the cinema.
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